May 202013
 

Sometimes a book blog seems like a lot of work. You’re reading, you’re searching for new books and trying to locate copies of old ones, and occasionally you’re struggling to find something new to say about something that’s already been reviewed 100 times. Sometimes, though, like when I get to read Elly Griffiths’ new Ruth Galloway mystery, A Dying Fall, it seems like a lot of fun.

A Dying Fall is the fifth Ruth Galloway mystery, and I like the series more the more it goes along. Ruth’s life is so much more complicated now — she has a 2-year-old daughter, Kate, with a man who’s married to someone else; her career hasn’t gone the way she thought it would; her best friends are her boss’s wife and an aging druid (who, coincidentally, had a child with a woman who’s married to someone else) — and her desire to get involved in solving mysteries is tempered by her knowledge that her daughter depends solely on her.

This time, though, Ruth feels compelled to get involved because the murder victim is an old college friend, Dan Golding, like Ruth an archeologist at a not-terribly prestigious university in England. He makes an amazing discovery, yet something has made him afraid enough to contact Ruth for help. Just before she gets his letter, however, his house burns down with Dan in it. When his supervisor, Clayton Henry, asks her to come to Pendle University to examine Dan’s finding, she can’t refuse. She packs up Kate and Cathbad, the druid, and they head to Lancashire to investigate. When Ruth sees the bones Dan found, she quickly realizes there’s a big, big problem.

But archeology isn’t her only problem. Ruth knows that Kate’s father, DCI Harry Nelson, is in the area visiting family, and sure enough, they can’t help but run into each other. Nelson’s wife, Michelle, knows about Ruth and Kate, but his mother and sister don’t, and he wants to keep it that way. But his mother insists on inviting Ruth, Kate and Cathbad to tea. Awkward!

One thing I especially liked about this book is that visiting Pendle University gives Ruth the opportunity to examine university life from the outside: Dan’s department is completely dysfunctional, with people who drink too much, join hate organizations, have affairs with each other and steal money. No wonder Dan was afraid. Ruth also gets to find out how Dan saw her, and she confronts her own career trajectory in looking at his.

Recently I’ve reviewed a couple of series that are getting stale, if not past their due dates, but this one is still fresh and growing. If you like archeology, academic mysteries, female sleuths, or mysteries with lots of character development, I can honestly recommend Elly Griffiths’ Ruth Galloway series. My thanks to the publisher, Houghton Mifflin Harcourt, for sending a review copy of A Dying Fall.

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Apr 302013
 

Duncan and Gemma return in Deborah Crombie’s The Sound of Broken Glass (sounds similar to A City of Broken Glass by Rebecca Cantrell, but no relation), the fifteenth book in the series.

Gemma takes the lead in this one; her husband, Duncan Kincaid, is on family leave, caring for their adopted child, Charlotte, who continues to have trouble adjusting and can’t handle being left at preschool on her own. Gemma’s new position as detective chief inspector puts her in charge of an investigation into the murder of a barrister, whose body is found in a seedy hotel, tied up and strangled on the bed. During the investigation, Gemma’s assistant, DI Melody Talbott (whose father owns a popular tabloid newspaper and who’s a lot wealthier than you or me), falls for a guitar player, and Duncan helps investigate on the side by talking to friends in the business. But then, a second barrister is killed in similar circumstances, and the team must figure out the connection between the victims.

The setting, the Crystal Palace area of London, has historical roots that are described in brief introductory quotes at the beginning of each chapter. Since I’d never even heard of the Crystal Palace, this was an interesting side story that begins with the London Exhibition in 1851 and ends with its destruction by fire in 1936.

This time it’s Duncan’s turn to face a life change. At the end of the book, once Gemma and her team have wrapped up the murder investigation and saved a life or two, Duncan has also solved Charlotte’s daycare problem and heads eagerly back to work. And what he finds is not at all what he expected.

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Apr 262013
 

The best thing about this movie is definitely the creepy-desperate acting of Michael Kitchen. Yes, the usually understated Michael Kitchen, whom we’re used to seeing as the principled, persistent DCI in “Foyle’s War,” is the bad guy.

“Dandelion Dead” is based on a true story that took place in Hay-on-Wye, England, in the 1920s. Kitchen plays Major Herbert Armstrong, a solicitor with a wife and family and a lovely garden: on the surface it all looks good. But the town’s new attorney begins taking away his custom, and his wife, Katherine, seems hell-bent on humiliating him in public and browbeating him in private. Even his garden has a problem: dandelions.

The thing is, Katherine is such a shrew I couldn’t really blame Major Armstrong for seeing the solution to the dandelion problem, arsenic, as the solution to his marital problems as well. You can tell that the even-tempered major doesn’t really want to poison his wife, but her hateful behavior drives him to it. I’ll leave the result of her arsenic-laced cocoa drinking for you to find out.

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Apr 222013
 

I’ve struggled with the last few Anne Perry books, both the Monk and Hester and the Charlotte and Thomas Pitt series; in both cases they seemed to have moved so far from their original roots as to no longer be recognizable. Or enjoyable. And that was painful because I’d loved both series for so long. Reading the last Pitt book, when Charlotte went to Ireland and Thomas to France, I was ready to give up on both.

But, I had an opportunity to read an advance review copy of the new Pitt book, Midnight at the Marble Arch, and I believe it’s changed my mind. Pitt is now in charge of Special Branch, so Charlotte is now back to attending society events (and refusing to play along with some of the silly games), and the mystery allows them to work as a team, using clever investigative techniques to make sure justice is served.

The subject matter is one that refined people simply didn’t speak of: rape. Charlotte and Aunt Vespasia, her beautiful and well-connected aunt by marriage, realize that a young girl, daughter of a Portuguese diplomat, has probably been raped by a member of the English nobility. Then, through their friend Victor Narroway, they become involved into the investigation of the brutal rape and murder of a British woman, Catherine Quixwood. What makes her case so unspeakable is that she apparently let the rapist into the home herself, on an evening when she knew her husband was out and she dismissed the servants anyway. Clearly, she must’ve been asking for it. And the historical backdrop for the case is equally relevant: events leading up to the Boer War, what you might call the imperial rape of Africa.

The two cases force Charlotte and Thomas to consider the utterly despicable nature of the crime. What if their daughter, Jemima, was the victim? Accusing and trying the man in question would only maker their own daughter unmarriageable. And what if their son, Daniel, was the accused? Would they know without doubt that he hadn’t done it? And if he had done it, what would they do?

Pitt can’t really investigate either crime as rape did not fall into Special Crimes’ jurisdiction, but Narroway — who’s been farmed out to the House of Lords — can, guided by Pitt, and so can Charlotte and Vespasia. Although it’s almost impossible to investigate rape from these vantage points, they do what they can.

The book actually reminded me more of the early Monk and Hester books, with a sympathetic and skilled attorney defending a person widely assumed to be guilty and a court scene that’s a social event as much as a legal proceeding, the investigation continuing even as the case moves forward. If you enjoyed those books, you’ll like this one as well.

I’m interested to see where Perry takes the series next. With Pitt in charge of Special Branch it’s hard to see how Charlotte and Vespasia can continue to take such an important part, but the Pitt-Narroway role reversal has legs, and Charlotte has always managed to worm her way into investigations where it would seem she had no place. I look forward to seeing where it goes.

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Apr 182013
 

I’m pretty sure I was first in line on the library wait list for Jacqueline Winspear’s latest Maisie Dobbs book, Leaving Everything Most Loved, because it’s one of my favorite mystery series. You might’ve even noticed it was one I turned to last spring and summer when life was not so good.

Much like me last year at this time, Maisie’s at a turning point in her life. Her partner, James Compton, is ready for marriage, but she’s not so sure. Her loyal assistant, Billy Beale, isn’t recovering from an injury as well as anyone would like. She feels called to travel, but isn’t sure if she’s running to something or from something. Would going abroad for a time mean leaving everything she loves most?

Before she can move ahead with travel plans, though, Maisie has a case to solve. One of her spiritual mentors, Khan, sends Mr. Pramal to her because Scotland Yard has apparently put little effort into solving the murder of his sister, Usha. The trail is cold now; Pramal has come all the way from India, and Maisie’s Scotland Yard associate, Detective Caldwell, admits that after the trail went cold the police did little to work on the case. No one was there to push them, he says.

Maisie begins by trying to get to know Usha. She finds people who knew her, talks to other Indian immigrants, even tries her hand at cooking Indian food. She learns that Usha had a gift in healing the sick and injured, through Indian folk remedies as well as her sympathetic touch. Everyone who knew her talked about her self-confidence, beauty, and spirit, to the point that Maisie wonders if someone killed her out of sheer jealousy. Of course part of what Maisie is exploring here is what it would be like for her to try to enter another culture as Usha had done. She reveals that she knows little about India and, if she decides to follow her mentor Maurice’s footsteps to travel in India, will be entirely unprepared for the revolutionary movement taking place there during the 1930s.

In the meantime, Maisie begins to realize that Billy can no longer do the job. She sends him home for additional recovery time from a head injury he incurred in an earlier book and takes over his case, that of a missing boy, who, it turns out, might be connected to Usha Pramal’s death. It’s clear that Maisie will have to make decisions not just in her personal life but also about her investigations business.

This book reminded me of the second book in a trilogy — its ending is really just a way station, not a final destination. If you haven’t read the series already, don’t start with this one… but do start.

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Apr 162013
 

First of all, don’t bother to tell me that you think Flavia de Luce is annoying, because I just won’t listen to that. Alan Bradley’s fifth novel featuring the precocious 11-year-old chemist/investigator is as good as the first, and it ends on a cliffhanger worthy of the old “Batman” U.S. television series (Biff! POW!).

In Speaking from Among the Bones, Flavia is more than intrigued by the disinterment of the bones of St. Tancred, namesake of the church in Bishop’s Lacey; she comes face-to-face with the mysterious murder of a former organist of the church; and she’s confronted by her family’s continuing financial problems which may result in the loss of their home, Buckshaw.

In previous books, I’ve complained, the adults around Flavia failed to recognize or acknowledge her skills and analytical abilities. This time, the police don’t dismiss her and other investigators, the creepy Miss Tanty and outsider Adam Sowerby, accept her as almost a full partner.

Using chemistry, midnight graveyard sneakery, and skilled questioning, Flavia helps find a diamond that may save Buckshaw, unmasks a conspiracy, and identifies the murderer. She even manages to learn a bit more about Harriet, the mother she’s never known, and her own father, the preoccupied and overmatched master of Buckshaw, warns her that she’ll find it difficult to be a smart as her mother.

And so, once again, I’m left awaiting the next installment of Flavia’s story. Write faster, Mr. Bradley.

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Apr 122013
 

The final (kind of) season of “Foyle’s War” wraps up the series and ends World War II, but don’t take that to mean that any of us get any closure.

If you haven’t watched the series, don’t start here. None of it will be as meaningful to you, and I’m just going to assume you know who all of the characters are.

Set 6 contains three episodes that take place during the summer of 1945, but its theme is that war doesn’t end when the war ends. A character in “The Russian House,” the first episode, states it bluntly: “when the war is over, another war begins.” He’s speaking of poverty, unemployment and other postwar adjustments, but he might as well be talking about the Cold War, too. The episode focuses on Russian prisoners of war, white Russians who fought with Nazi Germany and against Stalin and the communists. Of course. only a few years later most of England would be anticommunist, too, but in 1945 that made future allies into enemies. Many of the POWs, including one that Sam knows, don’t want to go back, so when their employer is murdered, suspicion naturally turns to the Russian. The episode also highlights the awkward relationships among Foyle, Sam and Milner, who are no longer a team but who are still the good guys.

The second episode, “Killing Time,” shows that the war is only beginning for African-American soldiers. The Americans are hanging out in Hastings, waiting for enough troop ships to arrive so they can go home. American officers want to institute a color bar to keep black and white soldiers apart, in order to keep the peace, a move that Foyle opposes but other Brits support. Meanwhile, a woman who lives in Sam’s boarding house, having been kicked out by her parents because she’s raising her mixed-race baby while the black American soldier father tries to get permission for them to marry. This is a story line that can’t end well. And, there is a series of highway murders that may also be connected to the Americans. The portrayal of American race relations is a bitter pill to swallow, but it’s a stern reminder of the problems black soldiers faced.

Finally, “The Hide” tells the story of a British soldier under trial for having served in a special troop of Brits supporting Hitler. The traitor, James Devereaux, comes from an honorable family, but he won’t explain himself or his decision to join the Nazis, won’t see his family, won’t mount a defense. He seems to be connected to a young woman founded murdered in her bedroom for no apparent reason. Foyle investigates and slowly unwinds the story of what really happened, not just in Nazi Germany, but to the young woman and inside the Devereaux family. Meanwhile, Sam and her friend fight to stop development on the village green, as postwar progress seems to threaten history and tradition.

The stories are not just interesting or mysterious, but thought-provoking and sometimes even intense. The acting and production values are top-notch, and if the tone at the end is somewhat melancholy, that’s only appropriate to a series about the war.

I keep hearing that there’s to be a Season 7 of “Foyle’s War,” and Christopher Foyle does mention that he’s off to America to handle some unfinished business, which I took to refer to an earlier episode involving an ugly American. These three episodes set the stage for a continuation of the series by demonstrating that in many ways, the war didn’t end just because peace was declared.

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Mar 072013
 

I’m sad to report that James Anderson’s The Affair of the Bloodstained Egg Cosy is the last of my stash of books procured when I went to London a couple of years ago. But, as a British stately home cozy with a hundred plot twists, it epitomized the fun I had reading that stack of books.

It was really the title that convinced me to buy the book out of all the many options I’d identified on the first run through the bookstore, and the title does reflect the delightful combination of old-fashioned love of tradition and a sense of the absurd that Anderson manages to simultaneously impart. The book begins with assorted characters all planning to converge on Alderley, a country house for the weekend, everyone from a Texas millionaire gun collector and his jewel-dripping wife to a couple of foreign diplomats, not to mention a near-stranger and a crashing bore (nicknamed Algy, no less) who each manage to finagle invitations, and of course the Earl and his family — and his gun collection, which extends even to cannons.

All the action happens in the middle of the night, though. People are seen tramping through the corridors, bumping into one another, there’s a mysterious scream, jewels go missing, the house alarm goes off, a dead body is located, a woman goes missing, and a bloodstained egg cosy is one of the most intriguing clues.

Our intrepid investigator, Detective Sargeant Wilkins, isn’t sanguine, as he constantly informs us. In fact, he’s “not sanguine at all.” He frankly informs everyone that he’s not up to the task, but have no fear — he’s just playing up his country ways while he quietly goes about unmasking criminals, spies, lovers and murderers.

The book is set in the 1930s, which is central to the plot in regard to the two foreigners visiting for diplomatic reasons and also to what happens to one of the main characters. If this were a movie, the critics would characterize it as a “romp,” and if you like that kind of movie, you’ll enjoy The Affair of the Bloodstained Egg Cosy.

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Mar 012013
 

This is another one of those movies (this one from the BBC) that I probably wouldn’t have seen but for the fact that somebody at my local library procures things that we haven’t all already seen 12 times on commercial television. Yay Library!!

Directed by Stephen Poliakoff, “Glorious 39″ is the story of Anne Keyes (played by Romola Garai), the daughter of a British aristocrat who begins to suspect that something is really wrong with her family during the time leading up to World War II. She’s an actress with a fiance who works in the Foreign Office, two siblings who are also her friends, and a career that seems poised to take off.

Then she listens to some record albums, and that changes everything. Instead of containing old music, as the labels suggest, they’re actually recordings of secret meetings that support appeasement of Nazi Germany. Anne is horrified, especially when she begins to piece together who’s involved and why the recordings are stored in the family home.

Anne’s story is told in the present by two old men who knew her when they were children, to a younger man who’s trying to understand family history. It’s billed as a “tense psychological thriller,” but in the end, I liked the idea of it more than the actual film. I didn’t really bond with any of the characters, so I didn’t much care that some of them were pro-Nazi or anti-Anne. Since it was told in the past tense, it was hard to feel that any of it made any difference to the outcome of the war, and I didn’t think the ending really made anything much better.

Having said that, I always enjoy stories from the World War II era, and even though I was somewhat indifferent to the characters, it was still better than most of what’s on American television on a nightly basis.

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Feb 192013
 

I took another short pause from my post-holiday Scandinavian crime fiction reading binge to revisit an old friend, Susan Hill’s Simon Serrailler, in the cathedral town of Lafferton, England.

A Question of Identity tackles the issue of identity on two levels. First, Simon and his team are in search of a serial killer of elderly women. After a time, they know who he used to be, but as he’s in the witness protection program they don’t know who he is now. But more important to the story is the killer’s self-identity. Until he starts to murder again, he doesn’t really feel like himself.

As always, Simon’s family also features in the story. His sister, Cat Deerbon, continues to make her way in the world as a widow and mother whose occupation is changing so dramatically as to force her to consider a career change; his father’s marriage is apparently in trouble; his niece and nephew are struggling with only him as a male role model. But his own life is in a shambles because of his continuing relationship with Rachel, a woman whose husband is dying a slow death (and knows about her relationship with Simon).

And pretty much also as always, I find the family story more intriguing than the mystery. In fact, I pretty much can’t wait to see Simon’s father get what he deserves following the only partly-developed story involving his new wife. So, back to waiting for the next Simon Serrailler mystery.

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